Fisher’s work, Human Communication as Narration, discusses the essential role of storytelling in the lives of human beings. He
argues that humans, as rhetorical beings, are as much valuing as reasoning
animals. Therefore, we search for meaning in various outlets. Fisher sets up
what has come to be known as the “narrative paradigm”, which pairs
argumentative persuasion with literary aestheticism. Human beings are homo narrans—storytellers. Fisher
borrows from Kenneth Burke the definition of man as a symbol making/using/misusing
animal. Human beings need to relay information through stories and symbols. Symbols
created as stories are meant to give order to the human experience. This relates to Bormann’s ides on “fantasy
themes”. He argues that rhetorical fictions, as per their nature, construct
both facts and faith with persuasive force. Storytelling is inherently a human necessity
which we encounter on a daily basis. Every minute aspect of communication has
some level of storytelling built into it. History in-and-of-itself is a collective
relaying of past stories for the purposes of enlightening further generations.
Within every story, whether fiction or nonfiction , there is a spark of truth. Tales
may not always be inherently true, but they, in some way, signify some greater
understanding. Likewise, storytelling is not some passive event. We are part of
the narrative and must actively engage in conversation. Storytelling thus
implements the creative aspects of the human experience and connects to a
larger communal appreciation of the quest for truth.
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